
The first time that I met Greg was at a Wendy's just south of Orange County. I had heard him speak a month earlier about the Oaxacan people and orphans living in Baja, Mexico, an account so stirring that I felt their story needed to be told. I hesitantly sent him an e-mail describing my wishes to narrate the stories of the Indigenous children by way of camera - and I stress hesitantly, for fear of the long digesting unanswered rejection waiting not to come on my end of the computer screen.
A week passed and those fears were finally cemented. And so I left for Thanksgiving holiday without any leads directing me towards what I believed to be my destiny, transforming my long digesting plans of focusing the lens on world issues in order to build on the foundations of allready established organization. Then I arrived on vacation to a single e-mail delivery. The responder, Greg, with a quick scribbled out note that he was actually interested in my crazy idea. And so we met on a December afternoon, he and his wife Patti - diagnosing our philosophies, theology, our understanding of anthropology, and hammering out strategies - all to the smell of grease cookers, the sound of crackling meat and the reverberation of drive through window microphone orders.
Greg is the CEO of Genesis Diez, an organization that serves several purposes. It specializes in running rehab programs for women formerly swallowed in the chains of the drug and prostitution culture of northern Mexico. The children of these women are often taken away by court order, and so Genesis Diez maintains a small, intimate orphanage with the mission of reuniting those children with their mothers once the rehabilitation has taken course. Among other countless tasks, such as food and aide distribution (or in the case of children, candy distribution), they work to attain birth certificates for the indigenous children who are unable to attend school.
Greg and Diez program manager Amanda look out over the town of El Zoreo.

"I was advised not to remain in the borders of the town at sundown"
Crossing south over the border, I was quickly reminded of two important survival don'ts. Don't drink the water, and don't liter the toilet. On the first piece of advice, I am glad to say that I was apprehended at the very moment that the glass penetrated my mouth, but the second came with slower conscious, and I fear I may have clogged a septic tank or two. For this crime, Mexico, I apologize, and direct my guilt. Punish me as you will.
And that was the fun with Greg. I could make the most dim-witted jokes in the world and he would pleasantly entertain the notion that they were actually funny. I saw Greg as a man of two contrasting extremes. He had a soft, gentle soul, tender in the very touch of his breath, though riveting enough to blow you over in a gust of his affectionate words, polarized by an extreme adventurous thrill-seeking side. Take for example a story that he told in sweeping, epic strokes, of his swim with a whale shark and the kayak that he sought it with, almost as though he were John Muir captaining Ahab's sails in search of the most beautiful tide-monster in the worlds blue cathedral. Somehow both the contemplations of his gentle soul and the exploits of rugged masculinity intertwined in perfect song-cycle.
the house of a young mother and her two children.
"where tenants use flattened cardboard boxes as baby cradles"
Tranquil stories of fin-rides with whale sharks were often short-lived. Conversations were ritually interrupted by such casual news of a boy who broke his leg, a little girl with an untreated lazy eye, cancerous growths, teeth infections, beaten spouses, a young lady who was being treated for aides due to multiple rape accounts while living on the streets, or another young lady who was caught in the middle of the border drug-gang war due to dating a gang leader and was swiftly murdered. These are just random glimpses, casual by-the-way stories of an indigenous migrant people of Mayan descent trying to find their way in a portion of the country where their own language isn't spoken.
As part of my first-trip introduction, Greg and a fellow Genesis Diez employee, Amanda, took me on the entire tour of their ministry to the Oaxacan people, which included individual house visits. We casually circled through the streets of Ensenada's rough backyard town known as El Zoreo, a growing focus of his ministry. Casual signs of the drug war were apparent there. For a number of reasons I won't give specifics, but I was advised not to remain in the borders of the town at sundown, which describes enough, I think.
I've seen poverty across the world, in Africa and Asia, and while shaken reactions from witnessing the trails of shattered bottles and needles leading up to ones front door or the foul stench of human waste smeared across ones living room floor may wear off in time, I can't imagine that I'll ever grow calloused to the offerings of a family living in the close proximities of that predicament, who hasn't been paid in five weeks, short of all supplies, yet gratefully feeds me a thick portion of breakfast. This included a mix of eggs, ham and coca-cola, a drink that is regularly shoveled down the throats of little children at even their most infant stages. While I can't even entertain the thought of eating a pig stateside, you can bet that I chewed on oinker skin here, touch with every lift of the fork.
"I can't imagine that I'll ever grow calloused to the offerings of a family living in the close proximities of that predicament, who hasn't been paid in five weeks, short of all supplies, yet gratefully feeds me a thick portion of breakfast."
The joy of my journey took a climatic turn when I ventured upon the remote property that is referred to as the apartment complex. The apartment complex is a long rectangular wedge with two rows of doors leading into dark cement block rooms - rooms that are often flooded out during rain storms due to a leaky roof - where tenants use flattened cardboard boxes as baby cradles, and heads of cattle often roam. The complex is owned by a local flower farmer who lends the rooms out to the families of migrant workers and delivers communal barrels of water about every week or so.



At the Apartment Complex - "Its so strange to see a society of children who still play and laugh as children, though act very much like adults."I spent the majority of my time on the complex grounds, touched by the lives of over a dozen indigenous children, all ranging in the ages of toddler to elementary, who couldn't attend school and so were left with no other option than to form their own daycare service while their parents were out in the fields. But I don't think the description daycare service does these children justice. I'd almost liken it to a Lord of the Flies society, where subjected law appears as flimsy and spontaneous as American children arguing over which ridiculously named cherry bomb, bubbles, or bus stop rules apply to a game of tetherball. It's a society where well-grounded parent to child policies such as don't play with fire have no application, where children run alongside barbed wire, snakes adorn stacks of rusted tin sheets serving as playgrounds, and streams of human waste serve as pathways to a nearby field for a young girls flower picking.
It is so strange to see a society of children who still play and laugh as children, though act very much like adults. I can't say I've seen anything else quite like it in America.
And that is the story that I told - an indigenous migrant people of Mayan descent trying to find their way in a portion of the country where their own language isn't spoken. It began in Wendy's over a conversation with an e-mail recipient backed by the smell of hamburger grease. It ended in a newfound friendship with a contemporary who shares in my vision that the expression of art is an adequate, if not at times necessary, component of connecting the human expression and experience to the pursuit of missions.


"It's a society where well-grounded parent to child policies such as don't play with fire has no application"
For my second of several planned outings to Genesis Diez, I chose to return to the apartment complex that so heavily dictated my emotions the first time around. What made this trip especially unique was the fact that several men from my church had come down to tar the roof of the development, amongst other random tasks, simply so that the farm workers living there might have more comfortable sleeping arangements.
I've had many people tell me that they aren't in any way religious but they really love the work that I desire to expose, particularly in Mexico. Look, watching those men slave under the butchering stabs of a sweltering sun, pulling their calloused hands away from a bucket of tar to dry the sweat from their brows, then scrapping liquid rubber across a rooftop - that is true religion. There was no agenda here. Nobody stood on a soap box ejecting right-wing American Conservatism or denominational banter then packed up the van for a return trip to a cheering Sunday morning crowd. The men who journeyed here to slave over faulty wiring and tar came here out of a sheer need for expression, much the same as I; the hunger to serve a people who cannot furnish in return, all in response to the overhaul that God delivered through a man two-thousand years ago, and still does to this day. Watching them from behind the lens of my camera, sitting in the shade waiting for my next shot to roll along, I felt so small and inadequate in a large world, as though I were staring at the throbbing muscles of men much greater than I.
And that is the kind of people that Genesis Diez attracts because they themselves are leading the way with great men and women. Case-in-point, my last day of shooting on my first trip came to an abrupt halt when one of the little boys was spotted with an obtrusive looking growth just north-west of his chest. Greg was quick to react, and seeing how this fitted the perfect opportunity to experience a Mexican hospital, I followed along. Upon arrival, I was escorted out of the hallway by hospital staff, and so settled into the neatest little torn and stained cushioned seat that I could find, listening to the wretched cough of an infected person across the way. Apparently, the boy had some sort of tumor. I'm not certain on the specifics, but the point it, he didn't have to pay for any of it, nor would his mother, still in rehab from the sex circuit.

It wasn't until recently that I finally understood the disinterest, even dismissal, of the missionary life by many individuals in the church. It's not just the voluntary discomfort of a dusty road or the surrendering of material comforts, it's the continual daily giving without the promise of a thank-you or applause from checkout aisle tabloids. The ovation of a missionary spotlighted on center stage on Sunday mornings is a thrill short lived, certainly not enough for pleasure seekers, nor does it contain the hype of candle lighting or the sweet soul-quenching sounds of song. But it's because they believe in something. Faith - No, not coffee talk of faith - real faith, the kind you can't see but you can hold in your hands in the form of tar buckets and odd-shaped brooms.

"the kind you can't see but you can hold in your hands in the form of tar buckets and odd-shaped brooms."
Here's what it comes down to. God abandoning his throne, becoming the image of man, cleaning the feet of his friends with a servants apron and then cementing that love by bleeding the next morning on an a tree - all so that we might have equal standing with God. It is this world view that has driven numbers of men to the edge of the earth, to crawl through bog and barb, in lands with languages that they do not know or speak, sometimes handing their flesh to the perils of death, all in response to an unconditional love experienced nowhere else. There was something mighty special about the way that Greg carried the boy into the hospital, almost as if Greg would have spotted the cancerous growth on his own body if it meant the cleansing of the boy, and I am a better man for having been involved in the short walk from the car to the waiting room.
"apparently, the boy had some sort of tumor."I don't know why I'm writing these words. I've been turning it over in my mind for weeks. At one point, I even disassembled everything that I had inked on paper and abandoned any thought of exposing these words to the light of day. Then I remembered a particular event during my first trip to Genesis Diez - the last dinner that I had with Greg and Patty in their home. In between the shoveling of the fork from the plate to his mouth, Greg (probably enlightened by Patti's amazing cooking creation) paused, turned to me and declared that this was my Genesis. Furthermore, he was excited to be part of it.
And that got me thinking. Yes indeed, he's absolutely right. This is my new origin. The pictures that you see here, they are my genesis - a novel beginning for a struggling soul who has spent or spoiled his every church inheritance, and, if inspiration and personal desire should take its course, a fresh commencement for others also. I'm not sure how the rest of the story will flow, but I have an idea or two - heck, maybe even three. Sit down with me sometime and we can talk about it.
Genesis Diez intern Stephanie reads to a sun-weary crowd of children
"Among other countless tasks, such as food and aide distribution (or in the case of children, candy distribution)"
